From AFP:
“Auschwitz online: raising
Holocaust awareness in the digital age”
Every day, Pawel Sawicki, head of
social media at the Auschwitz Museum, posts several photos of victims of the
former Nazi German death camp on a Twitter account that has become a powerful
tool in Holocaust education. A recent post to the account, which has a million
followers, featured a photo of a baby girl in a knitted woollen dress, adorned
with a large white collar. "8 April 1940 | French Jewish girl Jacqueline
Benguigui was born in #Paris. She arrived at #Auschwitz on 25 June 1943 in a
transport of 1,018 Jews deported from Drancy. She was among 418 people murdered
in a gas chamber after the selection," reads the caption.
- Fate of individuals - "We show people on their birthday and
provide biographical information," Sawicki told AFP. "It's important
for us to show the fates of individuals because it is sometimes difficult to
fathom the scale of the crime." This year marks 75 years since the
liberation of Auschwitz-Birkenau, Nazi Germany's most notorious twin death camp
where over 1.1 million people, mostly European Jews, were killed. Created by
the Germans in the southern town of Oswiecim in 1940, in what was then occupied
Poland, it has come to symbolise the murder of six million European Jews in the
Holocaust. Using social media, the museum hopes to teach a wider audience about
the horrors of the genocide, especially as there are ever fewer survivors able
to offer testimony. "People are very touched by the photos of the victims,
often they send us photos of their loved ones who died in the camp and ask us
to publish them, which we do," said Sawicki.
- Memory and education - The museum has come to regard its wider
presence on social media as being an important extension of its memorial and
educational mission. While the museum on the site of the former death camp
attracts over two million visitors each year, thousands also visit its Twitter,
Facebook and Instagram sites everyday. The
memorial became the first institution of its kind in the world to have a
Facebook account in 2009. Since then, it has acquired 328,000 followers. It
also joined Twitter and Instagram in 2012. The memorial reached one million
followers on Twitter in January 2020 thanks in part to having actor Mark Hamill
-- best known for his role as Luke Skywalker in Star Wars -- as a follower and
supporter. To reach as many people as possible, the memorial uses Facebook to
livestream special events, including ceremonies marking the camp's liberation
and important visits, Sawicki said. It publishes photos on its Instagram
account, which also allows museum officials to see what visitors are posting,
and in some cases, if the photos disrespect Auschwitz victims, take action. "But
it's Twitter that now seems to be our most important communication tool,"
said Sawicki. On the 75th anniversary of the liberation of the camp, in January
of this year, the museum had 270 million interactions on Twitter. The digital
platform also gives the museum the opportunity to fact-check and to call out
historical fallacies and anti-Semitic content online. In February, it tweeted
out a request to US e-commerce billionaire Jeff Bezos, asking him to remove
Nazi-era anti-Semitic children's books featured on his Amazon global digital
sales platform. Amazon complied. Last year, Sawicki also got Amazon to ban the
sale of Christmas decorations including images of the camp. "We sometimes
correct journalists who make mistakes from time to time," said Sawicki,
himself a former journalist. For instance, he always reacts when someone uses
the erroneous term "Polish camp" instead of "Nazi German
camp" to describe Auschwitz, which the Germans created and operated
without Poland's collaboration after they occupied it in 1939. "Before, we
used to call the editorial team, we wrote emails, it sometimes took weeks to
make a correction," he said. Thanks to Twitter, it now often takes as
little as a few minutes for publications to make a correction. Sawicki has also
tweeted to politicians. They include the Russian Duma speaker Vyacheslav
Volodin, who in January asked Polish officials to apologise for Nazi Germany's
concentration camps. Sawicki offered him online courses on the history of the
camp and the Holocaust prepared by specialists. "We don't want this
memorial to be exploited in any way whatsoever in any current political
debate," said Sawicki.
- Historical errors - Twitter also helped the museum address
historical errors in "The Tattooist of Auschwitz", a best-selling
book by Heather Morris. The author's decision to invent a scene in which a bus
is used as a gas chamber -- something which never happened at Auschwitz --
"creates a distorted version of Auschwitz," the memorial said in a
tweet. "It's dangerous and disrespectful to history. History deserves
better," it added. The tweet commemorating Jacqueline Benguigui has been
retweeted over 1,500 times, drawn nearly 6,000 likes and generated nearly 200
comments. "I read these everyday and say the people’s names in my head to
validate their existence. Each one strikes a sadness in me. Tonight, my stomach
sunk, my heart broke and I was in sincere pain," user @swixon said in a
tweet, adding: "Thank you for keeping these people alive."
^ This is a modern and important way to teach people about the Holocaust in general as well as putting a face
to the millions of men, women and children that suffered. Numbers don’t show
the whole story, but a picture and background story helps to humanize what
happened. ^
https://www.yahoo.com/news/auschwitz-online-raising-holocaust-awareness-digital-age-025242753.html?guccounter=1
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