From News Nation:
“Improv comedy can help kids
with autism build social skills”
(Art therapist Jason Evans,
right, working with students during a class held by Autism Improvised.)
In a small church northwest of
Atlanta, art therapist Jason Evans with the nonprofit group Autism Improvised
conducted a unique exercise with a group of boys on the autism spectrum. Instead
of sitting still and engaging in traditional talk therapy with a therapist, the
group of middle and high schoolers were instead on their feet, acting out
improvised scenes. At one moment, the group played a game called “Whatchu’
Doin?” where a participant pantomimes an action while another would ask them
what they were doing. The first would then name something else entirely; the
second would have to start pantomiming whatever was said. They weren’t allowed
to use any words; the only way to express themselves was with exaggerated
physicality One by one, the boys gave each other tasks like cooking pasta or
playing musical instruments. Some people on the spectrum may get stuck on an
idea or topic. The goal of the exercise was to have the participants practice
changing their focus to all sorts of different activities. “We have to learn to
work on different subjects and be interested in that subject,” Evans said. Evans
is the Lead Program Director at Autism Improvised, which has been operating out
of Georgia for more than a decade. The founder, Sandy Bruce, has a grandchild
who is on the spectrum and wanted to do something to help people who have
autism. The organization holds improv classes for both kids and adults and
reaches about 30-40 participants per semester.
Blythe Corbett, Director of the
Social Emotional NeuroScience Endocrinology Lab at Vanderbilt University, has
spent years running a theater-based intervention for people on the spectrum.
She explained how playing a character can encourage perspective-taking. “A lot
of [people on the spectrum], they think very concretely and from their own
point of view. And so in order to really engage in a social world, we need to
recognize that other people may have thoughts and feelings that are very
different than us. And so it’s a critical social skill,” she said.
Being autistic can vary widely as
far as abilities, intelligence and challenges. Research on her program, which
provides scripts to participants and culminates in the performance of a play,
has shown that it helps improve children’s communication skills. Corbett did
caution that it’s important to have individuals on hand who have experience
working with autism when administering theater-based interventions.
Unlike the Vanderbilt program, improv
comedy requires participants to think on their feet. There are no scripts, and
improv scenes often require participants to act something out based on what an
audience member suggests. One of the famous mottos of improv is “don’t think.” “We’ve
found repeatedly that improv … helps our autistic youth feel more confident
around communication and social skills, making friends, employment-related
skills, those kinds of things,” said Jim Ansaldo, a Research Scholar at the
Center on Education and Lifelong Learning, Indiana Institute on Disability and
Community, Indiana University Bloomington. The center runs Camp Yes And, an
improv summer camp that provides education both for youth on the spectrum and
teachers who work with them. “It increases educators’ and others professionals’
confidence in their ability to support autistic youth in the classroom and in
other settings,” Ansaldo said.
Back in Georgia, in another
activity done with the Autism Improved group, Evans laid down a cloth divider
to separate the stage into two parts. On each side, actors had to act out a
scenario suggested by an audience member with a particular emotion also chosen
by the audience. But as actors moved around on stage, they’d also have to
change their emotions when they crossed the divider. During this section, the
boys played characters like a pair of mafia bosses that had to switch between
being proud and being constipated. Evans said the point of this exercise was to
practice being aware of emotions. “I know my own emotions, but sometimes I
don’t care to watch other emotions,” he said of the lesson he was imparting.
“Those emotions are critical. I really do have to focus on what those emotions
are.” For Ansaldo, improv ultimately serves as a tool of communication that can
benefit everyone, whether they’re on the spectrum or not. He pointed to Viola
Spolin, the 20th-century educator who is considered one of the founders of
modern improv. “She created a lot of the improv games that we’re playing today
because she was trying to figure out how to create theater with a group of
immigrants who came from different countries and spoke different languages and
had different cultures,” he said. “And so improv has always been a tool for
that sort of connection across difference.”
^ This seems like a good way to
gain social skills for people that need extra help. It also seems like a fun
way to learn. ^
https://www.newsnationnow.com/solutions/improv-comedy-can-help-kids-with-autism-build-social-skills/
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