From the DW:
“Holocaust survivor, singer
Esther Bejarano dies, aged 96”
As a teenager, she had to perform
in the Auschwitz girls' orchestra. But Esther Bejarano never stopped loving
music — or fighting against racism. What an impressive woman! Not even 5 feet
tall, she seemed to burst with more energy than a strongly built man. Like, for
example, her son Joram, who accompanied Esther Bejarano during her
performances. Even though she used to lean on his arm, there was never any
doubt about who was in charge: Esther, of course, always knew what she wanted. Even
in her 90s, Esther Bejarano appeared on stage and sang, accompanied by the band
Microphone Mafia. The Cologne-based men rapped, Joram played the bass, and
Esther warbled the refrain. In the last years of her life, her voice had lost
some of its former strength that sent her around the world to perform. Bejarano
accepted that and agreed to let Microphone Mafia play her songs as recordings
during concerts. Besides, her performances were more about the message anyway:
putting an end to racism, antisemitism and fascism. Hardly anybody else could
have conveyed this message with as much passion and energy as Bejarano did.
A youth spent in concentration
camps Born in 1924 under the family name Loewy as the daughter of the chief
cantor of the Jewish community in the city of Saarlouis, as a child Esther
witnessed how the National Socialists seized power in Germany. The political
shift impacted the course of her life. "One's best years as a youth are
those from ages 16 to 20. But what kind of a youth did we have? None, really. A
horrible youth," she told DW shortly before her 90th birthday. The Nazis
had all but stolen this part of her life. Harassment at school, separation from
her parents, three concentration camps and a death march – Esther Bejarano had
to endure all of that. As she recounts in her book Memories, she arrived
in Auschwitz together with many other people, completely exhausted after
several days of travel in a cattle car. Bejarano was greeted by SS officers with
the words: "Now, you filthy Jews, we will show you what it means to
work." She was forced into hard labor that consisted of carrying
heavy stones. At some point, she heard that the SS was searching for girls for
a camp orchestra. She was fortunate enough to be included in the group as an
accordion player – even though she'd never played the instrument before.
Nevertheless, the skill she had acquired playing the piano while still living
at home, her musicality and her will to survive proved to be a tremendous help.
In the girls' orchestra at
Auschwitz The orchestra itself was about sheer survival: 40 young women had
to perform whenever the camp's inmates marched off to work or when new trains
with Jews on board arrived from all over Europe. "You knew that
they were going to be gassed, and all you could do was stand there and
play," Esther Bejarano told DW in 2014. That was the very worst she had to
endure in Auschwitz, she said. Experiencing how the Nazis abused music
for their own horrible purposes, however, never had a negative impact on her
sense of the beauty of music. The popular songs and marches she had to play in
Auschwitz, she recounted, had nothing to do with true music. She played music
composed by Mozart and Beethoven in the camps without thinking about the
horrible crimes committed by the Nazis.
For her, their music symbolized another way of life.
The melodies of Auschwitz After
the war, Bejarano, who had also spent time in the women's concentration camp in
Ravensbrück, finally turned a childhood dream into reality: to become a singer.
She studied singing in Tel Aviv and, even during her studies, went on tour in
Israel and abroad. She then met the future father of her children. Her post-war
life was a happy one, she recalled. In the 1970s, however, she decided to
return to Germany due to her husband's health problems. She opted for
Hamburg since the city held no particular significance for her during her
childhood. At first, she told DW, she constantly wondered what the people she
saw in the streets might have done during the war. "When I saw people who
looked a bit older than me, I always wondered whether they had perhaps been the
murderers of my parents and my sister." But rather than buckling
from the burden, she decided to fight. Her goal was to help prevent "an
inhuman ideology" from spreading again, and her method was by telling her
life story.
The struggle continues Along
with Anita Lasker-Wallfisch, Bejarano was one of the few survivors of the
Auschwitz girls' orchestra. Also the co-founder of the International Auschwitz
Committee, she was frequently invited onto talk shows to speak about her
experiences. She also spoke in many schools and proved to be a popular guest as
she inspired young people with her music. Bejarano remained strongly
committed to fighting xenophobia until the end of her life, often prompting
attacks and criticism from right-wing groups. She did not remain silent on the
issue, however. In 2004, she caused an uproar when she reported that police had
directed water cannons at a wagon on which she was standing during a protest
against right-wing extremism. In 2013, she spoke out in favor of
refugees, calling police checks of Africans in Hamburg as "inhuman and
unacceptable" as European asylum policy in general. In August 2015,
a Facebook user accused her in a post of "complicity in mass murder"
while "letting others walk into their deaths" with her eyes wide open
because she had "voluntarily joined in the founding of a camp
orchestra." Bejarano reacted promptly by filing a lawsuit. After all, she
had frequently and heavy-heartedly recounted how SS officers had stood directly
behind the orchestra while the girls cried and trembled during their
performances. She told German public broadcaster NDR at the time that she had
never before felt so utterly insulted and that the Facebook user's claim had
denigrated "all those who had been in Auschwitz." Bejarano
closely followed legal trials of various Auschwitz supervisors and guards and
called the public appearances of Holocaust denier Ursula Haverbeck in Detmold
"an impunity." She should have been brought to justice, said
Bejarano. "Never again Auschwitz" — that avowal was a vital
precondition for Bejarano's decision to return to Germany. But only hearing
such statements on memorial days did not suffice for her. She saw to it that
the attitude was integrated into everyday life. Esther Bejarano died peacefully
early Saturday morning in an Israeli hospital. This tiny woman full of energy
and spirit will leave.
^ The world loses another
Holocaust Survivor. Everyday we lose more and more of these Men and Women who
suffered through so much and having survived into their 80s, 90s and 100s remind
the world that Hitler didn’t win and that those who Men, Women and Children
that died during the Holocaust are not forgotten. ^
https://www.dw.com/en/holocaust-survivor-singer-esther-bejarano-dies-aged-96/a-58224215
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